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Key Players in the 2011 Cannes Market: Protagonist Pictures

The U.K’s Protagonist Pictures like to spread themselves out, having shown Tyrannosaur at Sundance and Berlin and this year they’ve got Australia’s Snowtown in the Critic’s Week. The Deep Blue Sea appears to be billed as a Venice/TIFF selection and next year they’ll be backing one of their own in Kevin MacDonald’s How I Live Now.

The U.K’s Protagonist Pictures like to spread themselves out, having shown Tyrannosaur at Sundance and Berlin and this year they’ve got Australia’s Snowtown in the Critic’s Week. The Deep Blue Sea appears to be billed as a Venice/TIFF selection and next year they’ll be backing one of their own in Kevin MacDonald’s How I Live Now. Here’s their slate in Cannes:

HOW I LIVE NOW by Kevin MACDONALD – Pre-Production
KILL LIST by Ben WHEATLEY – Completed
SNOWTOWN by Justin KURZEL – Completed
A VIEW FROM THE BRIDGE by Robert CONNOLLY – Pre-Production
BEL AMI by Declan DONNELLAN – Post-Production
HORRID HENRY: THE MOVIE by Nick MOORE – Post-Production
STREETDANCE 2 by Max AND DANIA – Pre-Production
SUBMARINE by Richard AYOADE – Completed
THE DEEP BLUE SEA by Terence DAVIES – Post-Production
THE IMPOSTER by Bart LAYTON – Post-Production
TYRANNOSAUR by Paddy CONSIDINE – Completed

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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