Exclusive articles:
2025 Cannes Critics’ Panel: Day 3 – Óliver Laxe’s ‘Sirat’
When he was selected for the prestigious competition section this past April, Paris-born Spanish of Galician background filmmaker Óliver Laxe achieved a remarkable feat...
2025 Cannes Critics’ Panel: Day 3 – Dominik Moll’s ‘Dossier 137’
Known for a filmography heavy into psychological thriller portraits with noir and crime element trimmings, the French-German filmmaker saw his second and third features...
2025 Cannes Critics’ Panel: Day 2 – Sergei Loznitsa’s ‘Two Prosecutors’
The Belarusian born, Ukraine filmmaker has loaded up the Cannes Film Festival with what feels like an easy dozen offerings in both the docu...
2025 Cannes Critics’ Panel: Day 2 – Mascha Schilinski’s ‘Sound of Falling’
A little bit after this year's Berlinale, there was was a great deal of buzz surrounding a certain German title that opted for the...
L’intérêt d’Adam | 2025 Cannes Film Festival Review
No Bandaid Solutions: Wandel’s Suffocating Drama Explores Collective Collateral Damage
Following her remarkable debut Playground (read review), Belgian auteur Laura Wandel moves from a harrowing...
