Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Exclusive Trailer: It’s a Dog Eats Dog Type World in Federico Borgia’s ‘Prince’ – 2026 BFI London Film Festival

After co-directing Nunchaku (2011), Clever (2015) and docu The Champion of the World (2019) with Guillermo Madeiro, Uruguayan filmmaker Federico Borgia makes his solo...

Digger | Review

The most powerful man in the world embarks on a frantic mission to prove he is humanity’s saviour before the disaster he’s unleashed destroys...

Interview: Arthur Harari – The Unknown

Three features in, Arthur Harari might be one of those filmmakers whose career resists easy categorization. Beginning with Dark Inclusion (2015), he followed it...

Kristen Stewart, Vicky Krieps, Niels Schneider, Riley Keough, Wagner Moura & Barbara Sukowa Cast in Assayas’ ‘Spiritual World’

Kristen Stewart, Vicky Krieps, Niels Schneider, Riley Keough, Wagner Moura and German cinema legend Barbara Sukowa, best known for her landmark collaborations with Rainer...

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it through the unique lens of a location scout (played by Mimi Davila) we get a...

Breaking

La bola negra | Review

The Play’s the Thing: Ambrossi & Calvo Connect the...

A Long Winter | 2026 London BFI Film Festival Review

A Gentle Thaw: Haigh’s Measured Drama is Glacial but...

Animol | 2026 London BFI Film Festival Review

Mismanaged Masculinity: Walters’ Gritty Debut Lacks Impactful Style Over...

Artificial | 2026 London BFI Film Festival Review

The End of The World as we Know it:...
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