Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2026 Cannes Critics’ Panel: Day 7 – Andrey Zvyagintsev’s ‘Minotaur’

We nearly lost this master filmmaker during the Covid pandemic and so Minotaur counts as Andrey Zvyagintsev's first oeuvre after being hospitalized for a...

Six Months in a Pink and Blue Building | 2026 Cannes Film Festival Review

Years We Fell Apart: Razo Resurrects the Final Throes of Childhood For his first narrative feature, documentary filmmaker Bruno Santamaría Razo utilizes a docu-hybrid in...

2026 Cannes Critics’ Panel: Day 6 – Cristian Mungiu’s ‘Fjord’

The Romanian master filmmaker Cristian Mungiu moves away from a backdrop he knows far too well to explore the family unit way further up...

2026 Cannes Critics’ Panel: Day 6 – Arthur Harari’s ‘The Unknown’

French director Arthur Harari might be best known as the co-writer of Anatomy of a Fall, but prior to that he saw 2013's Peine...

Strawberries (La más dulce) | 2026 Cannes Film Festival Review

Fruit on the Vine: Marrakchi Harvests Bitter Justice “We give our bodies. All that for peanuts,” is an anguished remonstrance from the protagonist in Strawberries,...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas...
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