Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Paris Maris: Rooney Mara Tests Maternal Instincts in Antonia Campbell-Hughes’ ‘Quest for Love’

With her sophomore feature High End (formerly known by the far alluring title Diamond Shitter) currently in post-production, Antonia Campbell-Hughes is already preparing to...

Privileged Pranked: Papadimitropoulos Sets Charlotte Gainsbourg & Edgar Ramirez for “Oh, How Fun!”

Edgar Ramirez, Charlotte Gainsbourg, Annabelle Wallis, Lena Headey, Angeliki Papoulia, Makis Papadimitriou, Spyros Dadanides are among the players who'll be found in the satirical...

38 Londres Street: Sebastian Stan Confirmed, Ana de Armas, Alfredo Castro & Antonia Zegers Added to Gálvez’s ‘Impunity’

As we inch closer to Cannes, we are learning the film package identities to the ten Investors Circle Initiative and among the hottest items...

2026 Cannes Film Festival Exclusive: Poster One-Sheet for Federico Luis’ Para los contrincantes (Palme d’Or Short Comp)

Making his third trip to the Croisette, Argentina filmmaker Federico Luis follows up his 2019 Palme d'Or competition short La Siesta (The Nap) and...

Breaking

Flesh and Fuel (Du Fioul dans les artères) | 2026 Cannes Film Festival Review

Paradise by the Dashboard Lights: Le Gall Finds Love...

Shana | 2026 Cannes Film Festival Review

Happy-Go-Mucky: Pinell Finds Purpose with a Woman in Transition “No...

2026 Cannes Critics’ Panel: Day 3 – Marie Kreutzer’s ‘Gentle Monster’

From Austria, Marie Kreutzer breaks into the Palme d'Or...

Gentle Monster | 2026 Cannes Film Festival Review

The Children’s Hour: Kreutzer Poses Provocative Dilemmas The complex trappings...
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