Kevin Jagernauth

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Kevin Jagernauth is a Montreal-based film critic and writer. Kevin has written professionally about music and film for over 15 years, most prominently as Managing Editor of The Playlist, where he continues to contribute reviews, and he has recently joined The Film Verdict as a Contributing Critic. Kevin has attended and covered a wide range of festivals including Cannes, TIFF, Fantasia, Savannah, and more. On a consultative basis, Kevin provides script coverage for feature-length independent and international films. He is also the co-founder and co-programmer of Kopfkino, a monthly screening series of cult classics and contemporary favorites that ran from 2017-2020 in Montreal.

Exclusive articles:

Mission: Impossible – The Final Reckoning | Review

Tom Cruise Can’t Stunt His Way Out Of A Middling ‘Mission’ Finale At this point in the Mission: Impossible series, franchise stewards — star Tom...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation in the South of France for Debut Ah, summer in the south of France. The cerulean...

The Assessment | Review

The Parent Trap: Elizabeth Olsen Tries Not to Break In Fleur Fortuné’s Debut The Assessment The one thing you can count as the world gets...

Bring Them Down | Review

Everybody Hurts: All Pain and No Gain in Christopher Andrews’ Debut Bring Them Down If misery loves company, then Bring Them Down is a party....

Sisterhood (HLM Pussy) | Review

Nora El Hourch’s Fiery Sisterhood is La Haine for the #MeToo Generation Arriving like a molotov cocktail thrown through a plate glass window — or...

Breaking

No Salgas (Don’t Come Out) | 2026 Berlin Intl. Film Festival Review

It Doesn’t Follow: Linares Villegas’ Queer Horror Forgets the...

The Loneliest Man in Town | 2026 Berlin Intl. Film Festival Review

Perfect Blue: Covi & Frimmel Marinate in Memories “Everything changing...

17 | 2026 Berlin Intl. Film Festival Review

This Makes Two of Us: Mitić Explores Binding Connection...

Home Stories | 2026 Berlin Intl. Film Festival Review

The Unbearable Likeness of Being: Trobisch Mines Banality in...
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