Kevin Jagernauth

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Kevin Jagernauth is a Montreal-based film critic and writer. Kevin has written professionally about music and film for over 15 years, most prominently as Managing Editor of The Playlist, where he continues to contribute reviews, and he has recently joined The Film Verdict as a Contributing Critic. Kevin has attended and covered a wide range of festivals including Cannes, TIFF, Fantasia, Savannah, and more. On a consultative basis, Kevin provides script coverage for feature-length independent and international films. He is also the co-founder and co-programmer of Kopfkino, a monthly screening series of cult classics and contemporary favorites that ran from 2017-2020 in Montreal.

Exclusive articles:

Shosana | Review

Winterbottom Cranks Yet Out Another One, This Time A Forgettable Thriller With No Bite Michael Winterbottom never stops. For over three decades, the filmmaker has...

Aisha Can’t Fly Away | 2025 Cannes Film Festival Review

Buliana Simon Shines In Gritty Immigrant Story That Struggles To Take Flight As the opening credits reveal, Aisha Can’t Fly was developed with the support...

Dites-lui que je l’aime (Tell Her I Love Her) | 2025 Cannes Film Festival Review

The Family Tree Grows Tangled Roots In Romane Bohringer’s Metafictional Feature Family can make you and family can break you apart. The ties that bind...

Meteors | 2025 Cannes Film Festival Review

Male Friendship Comes Apart In Hubert Charuel’s Assured Sophomore Feature A meteorite enters Earth’s atmosphere moving up to 72 kilometers per second and (usually) burns...

Mission: Impossible – The Final Reckoning | Review

Tom Cruise Can’t Stunt His Way Out Of A Middling ‘Mission’ Finale At this point in the Mission: Impossible series, franchise stewards — star Tom...

Breaking

La bola negra | Review

The Play’s the Thing: Ambrossi & Calvo Connect the...

A Long Winter | 2026 London BFI Film Festival Review

A Gentle Thaw: Haigh’s Measured Drama is Glacial but...

Animol | 2026 London BFI Film Festival Review

Mismanaged Masculinity: Walters’ Gritty Debut Lacks Impactful Style Over...

Artificial | 2026 London BFI Film Festival Review

The End of The World as we Know it:...
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