Canada’s Pick: Dolan’s I Killed My Mother is Foreign Language Oscar Submission

Date:

Beating out some stiff competition such as Denis Villenueve’s Polytechnique, Xavier Dolan’s I Killed My Mother (J’ai Tue Ma Mere) is Canada’s pick for the best foreign language film. The highly praised debut that commenced its film festival life on a high note (picking up 3 awards at the Director’s Fortnight in Cannes) the film was as reported by Screen Daily selected through a 24-person pan-Canadian committee representing industry associations and government agencies. The film was picked up by Here Films stateside, and they know a thing or two about getting Oscar to vote their way – under the Regent label they won last year’s Best Foreign Film Oscar for Departures (Okuribito). 

The film tells the story of Hubert Minel who dislikes his mother. For his sixteen years, with contempt, he only sees her ugly sweaters, kitschy décor and the bread crumbs that lodge in the corners of her lips when she eats noisily. Beyond these irritating things, there is also the manipulation and guilt, mechanisms dear to his Mother. Confused by their love-hate relationship, Hubert also experiences typical adolescent moments – artistic discoveries, experiences of friendship, sex and ostracism.

We interviewed Xavier before heading out to Cannes – here is that interview.

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Share post:

NEWSLETTER SIGNUP

Popular

More like this
Related

Ray Gunn | 2026 London BFI Film Festival Review

An Open and Shut Case: Bird’s Passion Project Feels...

Sumo: Spirit Weighs Nothing | 2026 London BFI Film Festival Review

A Heavy Toll: Shirai’s Artful Take on the Body...

Interview: Virginie Efira – All of a Sudden

In All of a Sudden (read review), Virginie Efira delivers...

Interview: Nathalia Acevedo – Salón de belleza

Actress-turned-filmmaker Nathalia Acevedo made her feature directorial debut with...