Key Players in the Cannes Market: Coproduction Office

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Slowly becoming a medium-sized player for quality, auteur Euro titles, the German/French company company had more of a presence in Venice/TIFF (Lourdes, Women without Men) last year than they did in Cannes where they presented the animated speaking figurines cowboys & Indians and talking horses. This year the Coproduction Office come packing three titles – a pair in the Un Certain Regard section and a much anticipated Cannes supported, docu-essay Le Quattro Volte by Italian helmer Michelangelo Frammartino…and the last minute addition to the fest Tender Son – The Frankenstein Project which will probably see the director work on the film until the very last minute, hence the very late in the fest screening. Here is a look at the posters for the trio of films that’ll be at the fest (or click on the Quick Links below for a better sized view).

Poster Aurora Tender Son - Le Quattro Volte - The Frankenstein Project

AURORA (AURORE) by Cristi PUIU – Completed
LE QUATTRO VOLTE by Michelangelo FRAMMARTINO – Completed
METEORA by Spiros STATHOULOPOULOS – Post-Production
TENDER SON – THE FRANKENSTEIN PROJECT by Kornél MUNDRUCZÓ – Completed

A TOWN CALLED PANIC by Stéphane AUBIER – Completed
LOURDES by Jessica HAUSNER – Completed
TETSUO THE BULLET MAN (FINAL CUT) by Shinya TSUKAMOTO – Completed
WOMEN WITHOUT MEN by Shirin NESHAT – Completed

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

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