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Review: I’m Still Here

Best exemplified with Phoenix’s studio meeting with Sean Combs, the feeling of inauthenticity chokes the film down into a less than basic interest level submission, and the film’s climax, which pointlessly rehashes the infamous date on Late Show’s David Letterman will only feel like a case of deja-vu.

I’m Still Here


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Best exemplified with Phoenix’s studio meeting with Sean Combs, the feeling of inauthenticity chokes the film down into a less than basic interest level submission, and the film’s climax, which pointlessly rehashes the infamous date on Late Show’s David Letterman will only feel like a case of deja-vu.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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