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TIFF 2010: Shawn Ku’s Beautiful Boy

Shawn Ku’s Beautiful Boy might not add any further insight into the whole loss of a child discourse or the school shooting spectrum, but the exploratory area in which the filmmaker chooses to instead focus on (the aftermath turmoil of grieving parents) does contain some choice moments.

Shawn Ku’s Beautiful Boy might not add any further insight into the whole loss of a child discourse or the school shooting spectrum, but the exploratory area in which the filmmaker chooses to instead focus on (the aftermath turmoil of grieving parents) does contain some choice moments. One more American filmmaker debut set in TIFF’s Discovery section, Maria Bello and Michael Sheen lead the charge in this spotty drama, and though they’re rare, when the wisely written material does spill out and when the film is at its bleakest, it delivers. Among the loss of child tragi-dramas at the festival this year, it’s Beautiful Boy that has a distinct advantage over John Cameron Mitchell’s Rabbit Hole. Shawn Ku, co-writer Michael Armbruster, and producers Lee Clay and Eric Gozlan were in attendance for the world premiere screening.

 

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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