While the cities of Paris, New York and Tokyo have all been showered with love via short film collectives, now the location specific neighborhood with an abundance of metropolitan settings will receive the same treatment.
With Geoffrey Gilmore in the portrait (his work will only be felt next year), Tribeca is making another great decision in shedding some of that baby fat. At eight years of age, the cuts make the festival leaner, less desperate for films and "more precise" in its programming. Scaling back to a sound number of 86, today's batch of 38 fill up the World Narrative and Documentary Comp selections and Discovery sections. Today's announcements demonstrates that relationships with filmmakers continue to flourish (I noticed a couple of names from the previous years).
This year's Venice Film Festival (Aug. 27-Sept. 6.) looks like what the top tier of the medal standings might be comprised of at the upcoming Olympic games.
So Yong Kim's (Lovesong) and Chad Hartigan's (Morris From America) career best films, Elizabeth Wood's (White Girl) and Andrew Neel's Goat disturbing youth portraits,...
Similar to the Directors' Fortnight in Cannes, or the Visions and Vanguard programmes at TIFF, Venice has their own special sidebar for the more experimental folk on the cinema stage, called Orizzonti (Horizons). Last year saw some pretty heavy titles in this section, including Catherine Breillat's dream fable Sleeping Beauty, José Luis Guerín's local colour doc Guest, Hong Sang-soo's quadrant-structured Oki's Movie, and Patrick Keiller's continuation of his heady essay films with Robinson in Ruins.