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Sundance ’17: Hittman, Robespierre & Larnell Come Knocking Again in U.S. Dramatic Comp

Last year we had Grand Jury and Audience Award section winner and current awards season no-show The Birth of a Nation by Nate Parker...

The Conversation: Top 10 American Indie Filmmakers Missing in Action (Class of 2016)

Continuing our annual tradition of highlighting US auteurs who’ve lapsed into an unplanned or unpredictable hiatus, we’re recounting another ten notable filmmakers who have...

The Neon Demon | Blu-ray Review

After premiering to divisive responses at the 2016 Cannes Film Festival where it played in competition (jeers were mixed with waves of derisive laughter...

The Neon Demon | Review

Death Walks on High Heels: Refn Delves Daftly into the Los Angeles Fashion Demimonde To reference John Waters’ definition of beauty, “a face should jolt,...

Criterion Collection: The Kennedy Films of Robert Drew & Associates | Blu-ray Review

"It's not an exaggeration to say that before Primary, documentary as we know it today - the art of candid observation - didn't exist. Not...

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Two Prosecutors | 2025 Cannes Film Festival Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

2025 Cannes Critics’ Panel: Day 2 – Sergei Loznitsa’s ‘Two Prosecutors’

The Belarusian born, Ukraine filmmaker has loaded up the...

2025 Cannes Critics’ Panel: Day 2 – Mascha Schilinski’s ‘Sound of Falling’

A little bit after this year's Berlinale, there was...

Mission: Impossible – The Final Reckoning | Review

Tom Cruise Can’t Stunt His Way Out Of A...

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