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Queen at Sea | Review
October 30, 2026
Gentle Monster | Review
October 30, 2026
I Plant My Hand in the Garden | 2026 Venice Film Festival Review
October 27, 2026
Closure | Review
October 27, 2026
Prince | 2026 London BFI Film Festival Review
October 26, 2026
American Independent Films
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Interview: Damian Kocur – La Manche | 2026 Venice Gap-Financing Market
October 29, 2026
Interview: Lila Avilés – Cábula | 2026 Venice Gap-Financing Market
October 28, 2026
Interview: Hédi Zardi Atlas Workshop – 2026 Marrakech Film Festival
October 24, 2026
Lee Chang-dong – Possible Love
October 23, 2026
Interview: Travis Knight – Wildwood
October 23, 2026
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Ena Sendijarević’s ‘The Possessed’ – Everything We Know So Far …
October 31, 2026
Suzanne Lindon’s ‘L’Équipe’ – Everything We Know So Far …
October 24, 2026
Isabella Eklöf’s ‘Mr. Nawashi’ – Everything We Know So Far …
October 3, 2026
Justine Triet’s ‘Fonda’ – Everything We Know So Far …
August 29, 2026
Nuri Bilge Ceylan’s ‘Yorgun Güneş’ – Everything We Know So Far …
August 22, 2026
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2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race
August 26, 2026
2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race
August 25, 2026
2027 Oscars: Austria Backs Hüller as ‘Rose’ in the Best Intl. Feature Film Category
August 14, 2026
2026 Oscars Score Card: No Surprises Here as One Battle After Another Wins Best Picture
March 16, 2026
Pencils Down: Our 2026 Oscar Predictions!
March 15, 2026
American Indie
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Queen at Sea | Review
October 30, 2026
Gentle Monster | Review
October 30, 2026
I Plant My Hand in the Garden | 2026 Venice Film Festival Review
October 27, 2026
Closure | Review
October 27, 2026
Prince | 2026 London BFI Film Festival Review
October 26, 2026
American Independent Films
World Cinema
Documentary Films
Interviews
IONCINEPHILE of the Month
Interview: Damian Kocur – La Manche | 2026 Venice Gap-Financing Market
October 29, 2026
Interview: Lila Avilés – Cábula | 2026 Venice Gap-Financing Market
October 28, 2026
Interview: Hédi Zardi Atlas Workshop – 2026 Marrakech Film Festival
October 24, 2026
Lee Chang-dong – Possible Love
October 23, 2026
Interview: Travis Knight – Wildwood
October 23, 2026
American Independent
World Cinema
Documentary Film
Features
Tracking Shot
Top 3 Critics' Picks
Top 50 Future TV Binge List
Film Book Reviews
World Cinema Report
Ena Sendijarević’s ‘The Possessed’ – Everything We Know So Far …
October 31, 2026
Suzanne Lindon’s ‘L’Équipe’ – Everything We Know So Far …
October 24, 2026
Isabella Eklöf’s ‘Mr. Nawashi’ – Everything We Know So Far …
October 3, 2026
Justine Triet’s ‘Fonda’ – Everything We Know So Far …
August 29, 2026
Nuri Bilge Ceylan’s ‘Yorgun Güneş’ – Everything We Know So Far …
August 22, 2026
IONCINEPHILE
IndieSponge TV
FYC (Awards!)
You Betcha!
2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race
August 26, 2026
2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race
August 25, 2026
2027 Oscars: Austria Backs Hüller as ‘Rose’ in the Best Intl. Feature Film Category
August 14, 2026
2026 Oscars Score Card: No Surprises Here as One Battle After Another Wins Best Picture
March 16, 2026
Pencils Down: Our 2026 Oscar Predictions!
March 15, 2026
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Alaa Eddine Aljem
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2026 Marrakech Intl. Film Festival: New Projects by Sofia Alaoui, Yasmine Benkiran & Jessy Moussallem at the Atlas Workshops
Film Festivals
Eric Lavallée
-
October 19, 2026
Moroccan filmmakers Meryem Benm’barek, Sofia Alaoui and Yasmine Benkiran are among the fourteen projects (includes two docus) selected at this year's Marrakech Intl. Film...
2026 Venice Final Cut WIP Lab: Alaa Eddine Aljem, Sofia Djama & Bassel Ghandour Among Six Projects
Film Festivals
Eric Lavallée
-
July 14, 2026
Among the final stops on the road to their expected premieres at the major prestige film festivals of 2027 — most notably Cannes —...
The Unknown Saint | 2019 Cannes Film Festival Review
Reviews
Nicholas Bell
-
May 15, 2019
Gimme the Loot: Money is the Root of Good and Evil in Aljem’s Debut Love the sinner and not the sin seems to be the...
2019 Cannes: Adèle Haenel Owns the Croisette & Hafsia Herzi’s Debut in Critics’ Week
Film Festivals
Eric Lavallée
-
April 22, 2019
Critic's Week will be unveiling eleven feature films for the 2019 edition with 7 comp titles, and opener and a closer and a pair...
2016 Sundance Institute Screenwriters Lab Focuses on Works from Frances Bodomo, Eva Vives, Pippa Bianco & Boots Riley
Festival Lab News
Eric Lavallée
-
June 9, 2016
The Sundance Institute folks are taking a more long term and international approach as of late with their Screenwriters Labs. Some of the names...
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Sean Durkin’s ‘Deep Cuts’ – Everything We Know So Far … (American Indie Edition)
Eric Lavallée
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November 1, 2026
Ena Sendijarević’s ‘The Possessed’ – Everything We Know So Far …
Features
October 31, 2026
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Queen at Sea | Review
Reviews
October 30, 2026
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(Get) Away From Her: Hammer Returns with Elder Ethical...
Gentle Monster | Review
Reviews
October 30, 2026
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The Children’s Hour: Kreutzer Poses Provocative Dilemmas The complex trappings...
Interview: Damian Kocur – La Manche | 2026 Venice Gap-Financing Market
Interviews
October 29, 2026
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As part of our coverage at the recent Venice...