Profondo Glosso: Wright Falters with Glossy, Pseudo-Feminist Ghost Story
Opening upon joyful musical reverie and descending into vibrant color palettes, Edgar Wright’s attempt at...
Immigrant Song: The Personal is Political in Sharrock’s Quietly Sincere Portrait of Asylum Seeker
The plight of the political asylum seeker is a complex situation...
The Vicar Man: Smith Returns to Period with Bustling Slow Burn
If you’re familiar with the filmography of British filmmaker Christopher Smith, you know you’re...