Tag: (T)ERROR

Shults’ “Krisha”, Heller’s “Teenage Girl” & Haynes’ “Safe” Part of 8th Wassaic Project Film Fest

American indie film love is on full display at a fest that I've coined farm version of Telluride. The 8th edition of the Wassaic Project...

Sundance ’15: Psihoyos, Ross Bros., Heineman & Marc Silver Among U.S. Documentary Competition Offerings

Last year, Andrew Droz Palermo and Tracy Droz Tragos' Rich Hill walked away with U.S. Grand Jury Prize while Jesse Moss' The Overnighters was...

2015 Sundance Film Festival Predictions: Lyric R. Cabral & David Felix Sutcliffe’s (T)error

You'd be forgiven for thinking that this is a horror title. It is not. Well, actually it's horrifying terrain in the docu scheme of...

The Wait’s Riel Roch Decter & It Felt Like Love’s Laura Wagner Summoned to Sundance’s Creative Producing Summit

As we know, a passage through the many Sundance labs doesn't guarantee a gold ticket for Park City in January, but undoubtably its certainly...

Amponsah’s Down By Law & Sandilands/McNicol’s Uncertain Make Sundance Institute 2014 Documentary Edit and Story Labs Cut

Not all docu films that make the cut into the Sundance Institute's Documentary Edit and Story Labs are fortunate enough to then land a coveted...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...