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'The Fantastic Mr. Fox' Could Be Clooney

Posted by Larry L. Peel on Feb 23, 2007
Source: The Hollywood Reporter
Oscar vets George Clooney and Cate Blanchett are reportedly at the table with 20th Century Fox Animation in Wes Anderson’s next helmer The Fantastic Mr. Fox, the director’s first foray into the world of animation. The project is based on Roald Dahl’s classic children’s book and will be the fourth major motion picture treatment of the author’s tomes; the previous leaps from paper to celluloid included Matilda, James and the Giant Peach, and the more recent Tim Burton jaunt Charlie and the Chocolate Factory.

Clooney is discussing doing the voice of a wily and loveable fox whose sole goal is to provide for his family. As foxes do, he must raid the local farms for animals, but the farmers Bunce, Boggus and Bean, are all horribly mean. After surrounding Mr. Fox’s hill, the fox earns his title of “Fantastic” by tunneling under the farms and entering without the farmer’s knowledge. Further raids get Mr. Fox into the storeroom and cellar of the farms. Wendy Cooling, a British author and affiliate of the Dahl Museum explains that Dahl wanted to instill virtue and values in his tales and that “this story does so in a most entertaining way.”

The project will be a reuniting of the actors, whose last project together was Stephen Soderbergh’s The Good German for Warner Bros. Blanchett is said to be in talks to voice the wife of Clooney’s character. Anderson is said to be planning the project to work along the same concept as Tim Burton’s Corpse Bride, utilizing stop action animation technique. The production will be set in London following Anderson’s completion of The Darjeeling, Ltd., which is editing in New York. Clooney is looking to the project after completion of his work on Leatherheads, a project for Universal, which he is directing and starring in. Blanchett is currently working on David Fincher’s The Curious Case of Benjamin Button for Paramount.


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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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