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Sundance Institute Summer lab projects

Posted by Eric Lavallee on Apr 24, 2007
Source: None
When I think of what the Sundance labs might signify for those lucky enough to have their projects participate what comes to mind are the numerous other projects that were first birthed there. In the fresh aired Sundance Resort in Utah, projects that came are (and what a cool sampling) Hany Abu-Assad (PARADISE NOW), Miranda July (ME AND YOU AND EVERYONE WE KNOW), Josh Marston (MARIA FULL OF GRACE), Debra Granik (DOWN TO THE BONE), Kimberly Peirce (BOYS DON’T CRY), Paul Thomas Anderson (HARD EIGHT), (THREE SEASONS), John Cameron Mitchell (HEDWIG AND THE ANGRY INCH), Darren Aronofsky (REQUIEM FOR A DREAM), Tamara Jenkins (SLUMS OF BEVERLY HILLS), Nicole Holofcener (WALKING AND TALKING), Walter Salles (CENTRAL STATION), Quentin Tarantino (RESERVOIR DOGS) and the list does indeed go on.

This June, the
Sundance Institute have announced the lucky 13 that will shack up for some hardcore lab work. The directors and screenwriters Labs are: 

May 28-June 23


THE CAVANAUGHS/John Morgan (co-writer/director) and Meg LeFauve (co-writer),
U.S.A.

Circumstance/Maryam Keshavarz (writer/director), U.S.A./Iran

Cold Souls/Sophie Barthes (writer/director), U.S.A.

FARMING/Adewale Akinnuoye-Agbaje (writer/director), United Kingdom/Nigeria

Haiti Cherie/Patricia Benoit (writer/director), U.S.A./Haiti

Here/Braden King (co-writer/director) and Dani Valent (co-writer),
U.S.A./Australia

Spoons/Eric Lahey (writer/director), U.S.A.

Water & Power/Richard Montoya (writer/director), U.S.A. 

Screenwriters Lab from June 23-28:

DREAMING IN COLOUR / Tala Hadid (writer/director),
Morocco/U.S.A.

PARIAH/Dee Rees (writer/director), U.S.A.

REFRESH, REFRESH/James Ponsoldt (writer/director),
U.S.A.

THIS IS NOT A PIPE: AN IMAGE OF TREASON/J.J. Lask (writer/director), U.S.A.

UM HUSSEIN/Mohamed Al-Daradji (co-writer/director) and Jennifer Norridge (co-writer),
Iraq/UnitedKingdom

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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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