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Heard and Isaak go "Informer"

Posted by Chris Bumbray on Oct 22, 2007
Source: The Hollywood Reporter
Amber Heard & Chris Issak have joined the cast of The Informers, an adaptation of the Bret Easton Ellis novel, for director Gregor Jordan (Buffalo Soldiers, Ned Kelly). Issak & Heard join an impressive ensemble cast that includes Billy Bob Thornton, Kim Basinger, Brandon Routh, Winona Ryder and Mickey Rourke. 

The Informers takes place over a week in 1980's Los Angeles, and centers on the antics of a variety of morally bankrupt characters, including movie executives, rock stars and a vampire.
Heard plays a promiscuous young woman caught up in the decadence of L.A in the eighties, while Issak plays a sex obsessed father on vacation with his young son in Hawaii.

2008 is shaping up to be a big year for Heard, who's also got a role in The Pineapple Express for super producer Judd Apatow and helmer David Gordon Green. She also appears in the upcoming horror film All the Boys Love Mandy Lane-which was picked up, and then dropped by the Weinstein Company before being acquired by Senator Entertainment, which is also the company behind The Informers.

Usually, I'd approach a Bret Easton Ellis adaptation with trepidation. His work is extremely hard to adapt- as his characters are for the most part extremely unsympathetic, and not easy for filmgoers to latch onto. His debut novel, Less Than Zero was butchered back in 1988, when it was essentially turned into a Brat Pack vehicle. It's only redeeming feature was a stellar performance by a young Robbert Downey Jr., who played a junkie- a role he knew all too well.

Mary Harron's American Psycho was more successful, although Ellis's novel still had to be toned down considerably. Roger Avary Rules of Attraction is probably the most faithful adaptation of Elli's work to date- but even that film got panned by critics and audiences alike when it came out in 2002. 
This time Ellis will have a hand in adapting his own work- he co-writes the screenplay with Nick Jarecki.




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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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