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Icon Finds Loach's 'Eric'

Posted by Imran Jaffery on Jun 04, 2008
Source: Screen Daily

British outfit Icon Film Distribution has picked up the UK home and theatre rights to acclaimed director Ken Loach’s latest Looking For Eric, currently in production in Manchester. The film is being repped by the fine folks at Wild Bunch with Sixteen Films, Canto Bros., and Why Not Productions adding to the British/French co-production.

Screen describes the story as following “Eric, a Manchester-based postman who finds himself in a personal crisis because of his broken heart and chaotic family life.” The film was spawned through conversations between Loach, writer Paul Laverty, producer Rebecca O'Brien, and French football legend Eric Cantona. Whether the picture’s Eric has any direct or rhetorical relation to Cantona is unclear. Also unclear is the role the great game plays in the film, though it is described as being "inspired by the foot-balling genius of Eric Cantona and his very special relationship with all who love football." Yeah I’m not sure what that means either.

Brit TV staples Steve Evets (Summer) and John Henshaw (The Restraint of Beasts) are starring along with relative newcomer Stephanie Bishop. Interesting casting to say the least.

Loach’s love for footie is well known. A passionate supporter of his local club Bath City FC, the director even worked the pitch into his contribution to Chacun son Cinema (Happy Ending) – where a father and son choose to go to a soccer match in lieu of sitting through any number of Hollywood blockbusters. [The short can be viewed HERE, but it requires the downloading of an app in order to watch]

It’s too early to tell when Looking for Eric will see release, but don’t be surprised if it pops up at Cannes next year given Loach’s preferred status at the festival.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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