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Filmmaker Daniel Barnz's Top Ten Films of All Time

Posted by Eric Lavallee on Feb 05, 2009
Source: IONCINEMA.com Exclusive

Have you ever thought about the movies you can’t live with out? The ones that rule your inner sweet spot -- the ones that you would not think twice about bringing to a deserted island. I asked Daniel Barnz the filmmaker behind Phoebe in Wonderland [Thinkfilm: 03/06/2009] the incredibly arduous task of naming me what his top ten films all time were. Here is that list (in alphabetical order) as of February 2009.

Being There. [Hal Ashby/1979] God, this movie is smart. How often are satires as moving/ beautiful as they are funny? And that final moment on the water – now you have to re-evaluate everything you just saw.

The Cook, the Thief, His Wife and her Lover. [Peter Greenaway/1989] Wonderfully, sumptuously weird… and those amazing, endless dollies through walls blow me away.

Heavenly Creatures. [Peter Jackson/1994] That intersection of reality and fantasy – so infectious and disturbing. You understand and almost begin to root for those girls to kill the mother.

La Jetee. [Chris Marker/1962] I find it really hypnotic, and that sequence of the woman in the bed when the photographs almost move at film speed is stunningly romantic.

The Lady Eve. [Preston Sturges/1941] Brilliant wit – “The fish was a poem” – I mean, come on!

Ordinary People. [Robert Redford/1980] Maybe the most perfectly acted film ever? Every moment is so searingly painful, but never bleak.

Poison. [Todd Haynes/1991] The intersection of those three radically different yet thematically connected storylines is genius.

The Red Balloon. [Albert Lamorisse/1956] (My first love.)

Searching for Bobby Fischer. [Steven Zaillian/1993] A film that so completely and perfectly captures the child’s perspective. I think about that moment all the time when the boy turns to his father and asks, “Why are you standing so far away from me?”

The Times of Harvey Milk. [Rob Epstein/1984] I’ve never seen a documentary capture a person’s essential “goodness” so well, and each of those interviewees is so mesmerizing.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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