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Cannes 2009 Day 3 Offerings: Campion, Porumboiu, Chan-Wook, Costa, Gondry

Posted by Eric Lavallee on May 15, 2009
Source: IONCINEMA.com

Today is an exciting day for fans of Jane Campion who looks like she as returned to form. If there was a film that I wanted to see badly (had to miss it yesterday because I wanted to see Coppola open talk about Tetro) is Andrea Arnold's Fish Tank which from yesterday's buzz means that I might be looking forward to a great follow up to her debut film Red Road. Finally, I'll catch an early screening for Taking Woodstock from Ang Lee.

Cannes 2009 Day 3 IONCINEMA.com

IONCINEMA.com Schedule: Bright Star, Fish Tank, Taking Woodstock

Cannes Logo

Main Comp: Jane Campion is on the comeback trail with Bright Star, Park Chan-Wook brings a vampire movie to the section. Other non-comp: Special Screening by Michel Gondry who brings doc L'Epine Dans le Coeur.

UN Certain Regard Logo

Un Certain Regard: One of my top ten films not to be missed in Politist, Adjective from Corneliu Porumboiu (I'll be seeing this tomorrow - loved his last film 12:08 East of Bucharest) and Lee Daniels brings his Sundance hit known as Precious.

Director's Fortnight Logo

Director's Fortnight: Lynn Shelton's brings mumblecore Humpday to the French, Yuki and Nina from pairing Nobuhiro Suwa and Hippolyte Giradot makes an entrance and Portuguese master Pedro Costa brings Ne Change Rien.

Critic's Week Logo

Critic's Week: Only one offering today in a first time film in Vladimir Perisic's Ordinary People (not a remake of the 80's film).



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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