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Remains of the Day: Mamet Does Anne Frank, Sly Does Venice, Avatar Does August 21st

Posted by Eric Lavallee on Aug 12, 2009
Source: Various Sources

A bizarre kind of news day highlighted by House of Games/The Spanish Prisoner/State and Main/Spartan and Redbelt helmer taking on Anne Frank, followed by Rocky/Rambo director Sylvester Stallone joining previous winners Takeshi Kitano, Agnes Varda and Abbas Kiarostami for the Glory to the Filmmaker Award at the upcoming edition of the Venice Film Festival. Here is a look at eight and 1/2 news items that we didn't have enough time to cover but are worth mentioning here for the 12th of August.

1. The 2nd Best Selling Book Heading Back to the Big Screen 
Disney has set David Mamet to direct The Diary of Anne Frank. No joke. (Via Variety

2. Thrifty "Beeswax"  
Reverse Shot’s Eric Hynes interviews filmmaker Andrew Bujalski in a unique setting. (Via IndieWIRE)

3. Now You See them, Now you Don't
Control + Left Click for Atom Egoyan's Chloe. Via ThePlaylist)

4. After the Run 
David Schwimmer (Run, Fat Boy, Run) will direct Trust in Chicago this October. 

5. No Money, No Problem 
Article based on the perils of indie filmmaking. (Via NYTimes)

6. From the Director of...
Fox Searchlight will milk the Napoleon Dynamite reference even in Jared Hess' Gentlemen Broncos' poster one sheet. (Via Firstshowing.net)

7. Plane Poster
Hilary Swank's Amelia poster one sheet. (Via People.com)

8. Sweet Sixteen 
Get your 16-minute Imax trailer tickets for James Cameron's Avatar. Click here.

1/2. Venice Film Festival Celebrates Sly. 
I'm not making this up. Read here.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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