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Remains of the Day: Emond's La Donation Claims 3, Moverman's The Messenger opens Woodstock

Posted by Eric Lavallee on Aug 18, 2009
Source: Various Sources

Better than reading QT's quote/rant about not thinking that Orson Welles is any good, with the release of Inglourious Basterds this week, the web has given plenty of space a viral clip of Tarantino's oddly-devised top 20 list post 1992/93. Here are a list of odds and ends and that vid below for Monday, the 17th of August...

1. The Return of Bruno 
Bruce Willis confirms cameo for Stallone's The Expendables. (Via MTV Blogs)

2. I Get No Respect
P.R nightmare at U.S. airport as Bollywood actor Shah Rukh Khan gets no star treatment. Word to Fox Searchlight next year: make sure that junket press tour for My Name is Khan begins on a high note.

3. The Military Smoke a Peace Pipe
Oren Moverman's Berlin Film Festival winning The Messenger opens The 10th Woodstock Film Fest (Via IndieWIRE)

4. "Passing" it onto the Sundance Channel 
Spike Lee’s docu Passing Strange: The Movie begins August 26 on you guessed it....Sundance's VOD channel. (Via Screen Daily)

5. David Gordon Green and Friends 
Short films from DGG, McBride and Franco are on the score card for Sundance's “Downtown and Dirty Shorts” in L.A. See Info on one-time event.

6. Riveting Doc on HBO tonite. 
Ian Olds' Tribeca preemed doc Fixer: The Taking of Ajmal Naqshbandi on HBO tonite - click here for trailer.

7. Love Me Three Times
Bernard Émond's La Donation wins three awards at the Locarno Film Festival. Go see it at TIFF. (See pic above)

8. On the Q.T and not hush hush...
Cinephile Tarantino lists his top 20 films since Reservoir Dogs which includes Woody Allen's Anything Else. Really? (Via The Auteurs Daily)

1/2. Alumni Update
Congrats to former IONCINEMA.com film reporter Barbara Celis on receiving the USC Annenberg/Getty Arts Journalism Fellowship.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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