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Magnolia Pictures are Guno-ho on Joon Ho's 'Mother'

Posted by Eric Lavallee on Aug 31, 2009
Source: Magnolia Pictures

If Magnolia Pictures were interested in Bong Joon-Ho’s Mother, they sure took their sweet time deciding on whether the picture would be a good fit for their label or not. Sure it might need a little bit work in terms of marketing, but as I had mentioned here, the film was probably the only title left over from Cannes that was the consensus "why hasn't this been picked up yet" pick. Actually, the timing couldn't be any better, it will be shown at the fall festivals, was just nominated as the Korean selection for this year’s Academy Award for Best Foreign Language Film. Magnolia plans to release the film only in 2010.

But Magnolia didn't stop there. They went back into the Joon-Ho catalogue and grabbed the rights to his year 2000 debut film, Barking Dogs Never Bite.

Scripted by Bong and Park Eun-kyo, this sees a social loser framed as the perpetrator of an horrific murder and his hard-headed mother has to figure out who really did it to keep her son from prison. Word is the actress who plays “mom” delivers one hell of a perf. This was the one title that I didn't see at Cannes that made me feel as if I missed out on something worth my while. I blame my peers for that feeling of inadequacy but all is good because I'll end up catching at TIFF (I've got it pegged as my last film screening of that festival). Here's the trailer. 

 

 

 

 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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