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Key Players in the Cannes Market: Studio Canal

Posted by Eric Lavallee on May 11, 2010
Source: IONCINEMA.com

Studio Canal Among the Cannes selected items, prestige outfitter Studio Canal has a pair of mention-worthy titles in the five plus hour offering from Oliver Assayas and perhaps this year's Battle of Algiers in Rachid Bouchareb's Outside the Law. Among the films they'll be selling in a non-completed stage are Rowan Joffe's Brighton Rock (see pic of Sam Riley) and Joe Cornish's Attack the Block – both of these should be Venice and/or TIFF bound.

BRIGHTON ROCK by Rowan JOFFE - Post-Production
CARLOS by Olivier ASSAYAS - Completed
MY AFTERNOONS WITH MARGUERITTE by Jean BECKER - Completed
THE PRINCESS OF MONTPENSIER by Bertrand TAVERNIER - Completed
THE TWO DEATHS OF QUINCAS WATERYELL by Sergio MACHADO - Post-Production

AND SOON THE DARKNESS by Marcos EFRON - Completed
ATTACK THE BLOCK by Joe CORNISH - Production
BEYOND SUSPICION (INSOUPCONNABLE) by Gabriel LE BOMIN - Post-Production
BRUC by Daniel BENMAYOR - Post-Production
MAHLER ON THE COUCH (MAHLER AUF DER COUCH) by Percy ADLON - Completed
OUTSIDE THE LAW (HORS LA LOI) by Rachid BOUCHAREB - Completed
SAMMY’S ADVENTURES – THE SECRET PASSAGE by Ben STASSEN - Completed
THE LAST EXORCISM by Daniel STAMM - Completed
THE OTHER WOMAN - Production
THE PERFECT DATE (L'AMOUR C'EST MIEUX À DEUX) by Arnaud LEMORT - Completed



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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