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Vets Paul Morrissey, Isaac Julien, Monte Hellman and Pacino are among New Venice Film Fest Possibilities

Posted by Eric Lavallee on Jul 21, 2010
Source: Variety

While there are no mentions of Terrence Malick, Variety are confirming the obvious (view my predictions) in Aronofsky's Black Swan, Reichardt's Meek's Cutoff, Corbijn's The American, Schnabel's Miral, Coppola's Somewhere, Kechiche's Black Venus, Ozon's Potiche, Tykwer's Three and Cordier's Happy Few all making it to the Lido this year, but they've added a couple more brow lifters that I'll delve into below.

Among the titles that are being mentioned for Venice, and which I thought were strictly TIFF items, they and several sources mention Ben Affleck's The Town will hit the Lido first, and they say the same as well for Tom Hooper's The King's Speech, and Iciar Bollain's Even the Rain - which I saw more as TIFF and San Sebastian double booking. And if Canadian film Richard J. Lewis' Barney's Version turns out to be gold, then people might question why it wasn't the opener in Toronto, instead of it now being billed as a Venice inclusion (worth noting is that it was partially actually shot in the red, white and green of Italy.

Here's a quick rundown of the title that have yet to mentioned in the trades that are new to us.

 Isaac Julien Ten Thousand Waves Maggie Cheung

A pair of vet filmmakers are coming out from "nowhere" include Warhol factory member Paul Morrissey and the little known News From Nowhere and two decades later, Monte Hellman resurfaces with Road to Nowhere - a noir which stars Shannyn Sossamon. Al Pacino has been struggling in post production with Wilde Salome - which stars Jessica Chastain and that is being tipped for Venice along with Isaac Julien, who'll bring his installation/film project Ten Thousand Waves which stars Maggie Cheung (see pic). the feel good The First Grader from Brit helmer Justin Chadwick appears to be aiming for a Venice launch - the pic certainly would be a great fit for Toronto and this pair of items (Tsui Hark's great ensemble crime film Detective Dee and the Pang bros. and their 3D horror pic, The Child's Eye) would make the Venice edition a huge supporter of Asian films.

Italian items aiming for a home preem include: Alessandro Piva's Henry, Giada Colagrande's A Woman, Gianfranco Rosi's El Sicario, Mario Martone's Noi Credevamo and Carlo Mazzacurati's La Passione.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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