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Lorber Can't Live Anymore Without Harry Nilsson Doc

Posted by Eric Lavallee on Aug 02, 2010
Source: Variety

In a deal that has been worked out for some time now, before becoming a collectible the home vid market, Lorber Films will give the well-aged 2006 preemed doc film that celebrates the life and music of Harry Nilsson at short release commencing at the Cinema Village. Directed by John Scheinfeld and in the same style as The U.S. vs. John Lennon, Who is Harry Nilsson (and Why is Everybody Talkin' About Him)? which opens on the second Friday of September, is a talking heads docu and if you're like me, and know the voice but not the man, then this might be the ideal docu to brush up on. Here's the synopsis: 

The Beatles said that Harry Nilsson was their favorite American musician. In his career, Nilsson won 2 Grammys and sold 17 gold records, and yet he is relatively unknown today. Who Is Harry Nilsson?, a wildly entertaining, star-studded documentary, sets out to prove that he was one of the most talented singer-songwriters in pop music history. Through a hall-of-fame roll call of interviews (and archival audio of Nilsson himself) with Brian Wilson, Randy Newman, Robin Williams, Micky Dolenz, Yoko Ono, and many others, director John Scheinfeld paints a detailed and revelatory portrait of this troubled genius. It delves deeply into his artistic process, including the genesis of classic tunes like “One is the Loneliest Number”, his combative friendship with John Lennon, and the addictions that haunted him inside and outside the studio. But most of all it depicts a devoted husband and father who finally found ameasure of peace outside the passing glare of fame.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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