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TIFF 2010: Massy Tadjedin's Last Night Grabs Closing Night Slot

Posted by Eric Lavallee on Aug 17, 2010
Source: Toronto Int. Film Festival

I often mentioned how this was a Helen Mirren type of year, but Keira Knightley is challenging the silverscreen status with three titles which include Never Let Me GoLondon Boulevard and the TIFF closer in Massy Tadjedin's Last Night (formerly known as Tell Me). The Miramax Films French/U.S co-production sort of looked "shelved" - the inactivity on the title which finished lensing a long time ago, was perhaps due to the distribution house not knowing what to do with the title, or the title having not tested well in its New Jersey screenings. The film stars Eva Mendes, Sam Worthington and Guillaume Canet who'll be presenting his latest directing effort in Little White Lies.

The other Gala selected film is Gilles Paquet Brenner's Sarah’s Key (In French it goes by Elle S'appelait Sarah). Here' s the synopsis on this one. Based on Tatiana de Rosnay’s best-selling novel, Sarah’s Key tells the story of an American journalist on the brink of making big life decisions regarding her marriage and her unborn child. What starts off as research for an article about the Vel’d’Hiv Roundup in 1942 in France ends up as a journey towards self discovery as she stumbles upon a terrible secret. The film stars Kristin Scott Thomas, Mélusine Mayance, Niels Arestrup, Frédéric Pierrot, Michel Duchaussoy and Aidan Quinn. 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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