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IFC Midnight Has Got a ‘Kill List’

Posted by Sophia Salador on Mar 16, 2011
Source: IFC Midnight

There hasn't been that much in terms of sales to report on from the festival, but the hotly tipped dark and twisted horror film from Ben Wheatley has indeed found a home on the IFC Midnight label. After its world premiere screening last Saturday at midnight in the SXFantastic section of SXSW, Kill List, the film about an ex-soldier turned contract killer stars unknowns Neil Maskell, Michael Smiley and Swedish born, Pfeiffer lookalike MyAnna Buring (2005' The Descent). In 2010, Wheatley’s Down Terrace, was released by Magnet Releasing who also showed interest in picking up his latest film, but lost out to IFC.

Gist: Ex-soldier turned contract killer, Jay, is pressured by his partner Gal, into taking a new assignment. As they descend into the dark, disturbing world of the contract, Jay begins to unravel once again – his fear and paranoia sending him deep into the heart of darkness.

Worth Noting: Wheatley’s debut feature was well received among critics and fans wining the Raindance award at the British Independent Film Awards but unfortunately it hardly made a dent in its theatrical release – with only nine grand.

Do We Care?: Kill List got this glowing review from Variety promising a kitchen sink merged with the horror genre -- “displaying both a nasty edge and a playful sense of humor -- but thankfully, never at the same time -- Brit import "Kill List" is several cuts above its fellow midbudget horror brethren.”



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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