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Key Players in the 2011 Cannes Market: Pathe International

Posted by Eric Lavallee on May 13, 2011
Source: -

Pathe have Main Comp titles in Paolo Sorrentino's This Must Be the Place and Alain Cavalier's Pater on their product list, but the sale agent might find both titles a difficult sell until they are unveiled to the film critic mass. I'd bet that Phyllida Lloyd's The Iron Lady with Meryl Steep is the most desired item on their inventory list.

THE IRON LADY by Phyllida LLOYD - Completed
THIS MUST BE THE PLACE by Paolo SORRENTINO - Completed
MONSIEUR PAPA by Kad MERAD - Completed
MY WORST NIGHTMARE by Anne FONTAINE - Post-Production
PATER by Alain CAVALIER - Completed
SWITCH by Frederic SCHOENDOERFFER - Completed
THE TUCHE FAMILY (LES TUCHE) by Olivier BAROUX - Completed
THE WELL-DIGGER'S DAUGHTER (LA FILLE DU PUISATIER) by Daniel AUTEUIL - Completed
TITEUF, THE FILM (TITEUF, LE FILM) by Zep - Completed
ZARAFA by Jean-Christophe LIE - Post-Production
AFRICA UNITED by Debs GARDNER-PATERSON - Completed
ALL THAT GLITTERS (TOUT CE QUI BRILLE) by Géraldine NAKACHE - Completed
BIENVENUTI AL SUD by Luca MINIERO - Completed
CAMPING 2 by Fabien ONTENIENTE - Completed
CENTURION by Neil MARSHALL - Completed
FAREWELL (L'AFFAIRE FAREWELL) by Christian CARION - Completed
MIRAL by Julian SCHNABEL - Post-Production
NOTHING TO DECLARE (RIEN A DECLARER) by Dany BOON - Production
OCEANS by Jacques PERRIN - Completed
THE ILLUSIONIST (L'ILLUSIONNISTE) by Sylvain CHOMET - Completed
THE ITALIAN (L'ITALIEN) by Olivier BAROUX - Post-Production
TITEUF THE FILM by ZEP - Production
TO PROTECT AND SERVE (PROTEGER ET SERVIR) by Eric LAVAINE - Completed
TREASURE (TRESOR) by Claude BERRI - Completed
WOLF (LOUP) by Nicolas VANIER - Completed



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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