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Samuel Goldwyn See Blue and Picks up Stern Look at United Nations

Posted by Eric Lavallee on Jun 09, 2011
Source: IndieWIRE.com

Samuel Goldwyn Films are hoping to stir up the pot during the politico season, picking up Ami Horowitz and Matthew Groff’s UN, Me and setting it for a September release. Like any large-bodied institution, the UN is a governing body where politics have notoriously hindered efforts by often coming late to the party...and by party we mean genocides, huge scale human rights abuses and violations.

Gist: This takes a harrowing and humorous tour deep into the heart of the United Nations as Horowitz gains unprecedented access to the UN shooting across Africa, Asia, Europe and North America. Horowitz constantly throws himself into wild and unpredictable situations that are eye opening, shocking and often hilarious. With unprecedented access, “UN Me” exposes the incompetence and corruption at the core of the United Nations and its disregard for the people and principles it was founded to defend.

Worth Noting: The film has been in mostly third tier film festivals since 2009.  

Do We Care?: This looks like low-grade talking heads documentary with Michael Moore-isms and some tactical play of the Yes Men, I'd rather revisit the engrossing condemnation about the utility of the body (with just one genocide case) in the doc Shake Hands with the Devil: The Journey of Roméo Dallaire

 

 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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