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Breslin Picked as a Bathtub Girl in 'The Class Project'

Posted by Eric Lavallee on Aug 17, 2011
Source: Variety

Currently in that star child actress moving onto more adult roles phase of her career, Abigail Breslin is moving closer to the direction of acting peers such as the Fannings by taking on some tougher, less flattering indie drama roles. After signing up for Hilary Brougher's Innocence, the actress will now topline The Class Project, playing one of two teen sisters turned murders. To be directed by Stan Brooks (we've got no clue who this director is), lensing begins this month. Producers include Michael Rotenberg, Damian Ganczewski and Juliette Hagopian.

Gist: Scripted by Fabrizio Filippo and Adam Till, this is based on Bob Mitchell's "The Class Project How to Kill a Mother: The True Story of Canada's Infamous Bathtub Girls," which follows two sisters who, tired of their mother's alcoholism and her abusive boyfriends, take matters into their own hands and plot to kill her.

Worth Noting: From the book's description: "On January 18, 2003, police, alerted by a frantic 911 call from a distraught pair of teenage girls, arrived at the girls Toronto area townhouse to find their mother dead. It appeared the 44-year-old alcoholic, having slipped into a booze-and-pill stupor, drowned in her own bathwater." It took almost one full year to convict the pair --- which I imagine will be the central narrative points in the screen translation.

Do We Care?: With virtually unknown talents behind the camera, our interest level could increase depending on who picks up the role of the equally demonic sister and that of the alcoholic mother.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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