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Rohal Finds 'Scoutmasters' in Knoxville and Oswalt

Posted by Eric Lavallee on Aug 22, 2011
Source: Deadline.com

Guatemalan Handshake and Catechism Cataclysm helmer Todd Rohal's Sundance workshopped screenplay has received the greenlight. According to Deadline, production on the to be retitled Scoutmasters commences this week with Johnny Knoxville and Patton Oswalt toplining the dark comedy with a supporting cast rounded out by Rob Riggle (21 Jump Street), Maura Tierney (television's ER) and Patrice O'Neal with the hope that the production squeezes in a part for Robert Longstreet. Ramin Bahrani/David Gordon Green producer Lisa Muskat was on board from the get-go, and now Big Beach's Marc Turtletaub and Peter Saraf's are also picking up the tab. Green is exec producer. If all goes well, I smell a possible Sundance showing in 2012.

Gist: When a well-meaning but immature Scouting Leader kidnaps his adopted Sudanese nephew to indoctrinate him into the joys of scouting, his good intentions are quickly thwarted as he leads his troop down a darkly comic road of chaos, death, and destruction. Knoxville and Oswalt will play battling brothers who attempt to honor their ailing father by taking a troop of boys on a camping trip.

Worth Noting: When Rohal was a Boy Scout, some scoutmasters faked a death as part of a first aid test. The film should use some aspect of this anecdote.  

Do We Care?: We can vouch for his first pair of efforts - in our review of Catechism Cataclysm we had this to say about Rohal: "it’s rare that a filmmaker’s voice can come through so distinctly these days. There aren’t really any obvious influences for Catechism. Rohal seems to be coming from some combination of the Midwest—particularly religious fanaticism and hypocrisy laced with strip mall and Walmart culture, Lynch, Linklater, Malick, and then the oft-referenced reference points are unfortunately Napoleon Dynamite and fortunately his collaborators David Gordon Green and Jody Hill."



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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