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Michael Shannon, Shepard and Paulson Stained with 'Mud'

Posted by Eric Lavallee on Sep 26, 2011
Source: FilmNation Entertainment

Jeff Nichols' muse Michael Shannon, Take Shelter player Ray McKinnon, Sarah Paulson (whose stock significantly rose with Martha Marcy May Marlene) and the busier than ever Sam Shepard have signed onto Mud - Nichols third feature film which began shooting today in his native Arkansas. Shepard will play the reclusive character of ‘Tom Blankenship.’ Shannon will play ‘Galen,’ the uncle of one of the boys, and Paulson and McKinnon will play the parents of the other. Baker and Sparks are figures who are out for revenge. Joe Don Baker and Paul Sparks complete the supporting cast.

Gist: This is about two fourteen-year-old boys who encounter a mysterious fugitive (McConaughey) hiding out on an island in the Mississippi. Intrigued by this man, they enter into a pact to help him evade capture and reconnect with the love of his life named Juniper (Witherspoon). Though it is hard for the boys to discern truth from fiction when it comes to Mud, it isn’t long until their small Arkansas town is besieged by a beautiful girl with a line of hunters in tow.

Worth Noting: After hitting Sundance, Cannes and TIFF, Take Shelter, one of the best critically reviewed films of the year finally hits theaters at the end of this week.  

Do We Care?: We've been on the Nichols' bandwagon since Shotgun Stories (here's our 2008 interview with the filmmaker) and his sophomore film only delivered in spades. Look for this to be among our most anticipated films for 2012.



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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