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Adopt Films Goes for One Night Stand; Anne Emond's Nuit #1 Receives July Playdate

Posted by Eric Lavallee on Oct 28, 2011
Source: Screen Daily

Akin to his 2006 relationship drama (Flannel Pajamas) in terms of sheer brutal honesty, it comes as no surprise that Jeff Lipsky's new distrib shingle Adopt Films has picked up Quebecois helmer Anne Émond’s feature debut. Nuit #1 which could be translated as "one night stand" or "night number one" becomes pick-up number two for the new distribution company -- a July release is being eyed for the vividly emotional rollercoaster of a ride.

Gist: Thesps Catherine De Léan and Dimitri Storoge play a couple who meet at a rave and end their night at his apartment. The first part of the film is an erotic and candid portrait of their lovemaking. They continue to talk until dawn, often in uninterrupted, brutally honest monologues.

Worth Noting: The pic picked up a special citation at TIFF this year: “Anne Emond’s Nuit #1 was simple and raw. It reminded us of the power of two actors with incredible chemistry, a courageous filmmaker, and a dingy apartment. We can’t wait for Nuit #2."

Do We Care?: In our TIFF review of the film, we noticed the "confidently stripped bare appearance, with no artifice and for a good portion of the film's 90 runtime without clothes, Nuit #1 might be the more invigorating counter-point to the lazy one night stand themed dramas."  



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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