Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Cannes Video Day 3: Cristi Puiu’s Aurora

Following in the footsteps of the multiple festival winning 2005's The Death of Mr. Lazarescu, Aurora is from what I learned in the press book, not the second, but one 6 in a series by Puiu called Six Stories from the Outskirts of Bucharest. Puiu and the entire cast & crew were on hand to present the 181-minute film.

Cannes Video Day 2: Behind Locker Number…

We have the press books for Patricio Guzman's Nostalgia for the Light, Hideo Nakata's Chatroom, Cheol So Jang's Bedevilled, Cristi Puiu's Aurora, Katell Quillevéré's Un Poison violent, Gust Vandenberghe's Little Baby Jesus of Flandr and Diego Lerman's La Mirada invisible (pic above).

Cannes Video Day 2: Radu Muntean’s Tuesday, After Christmas

Here is some après screening footage from the premiere for the Un Certain Regard selected, Tuesday, After Christmas. The film's director Radu Muntean is the one in the black shirt and big smile while his core trio of actors (Mimi Brănescu who plays the protagonist named Paul, Mirela Oprişor who plays the wife and Maria Popistaşu who plays the mistress) are to the right of him.

Review: Tournee (On Tour)

"Behind the camera, Amalric cares a little too much about the atmospheric details and cares very little about why we should empathize with his character or his cast of outcasts. The rock bottomness discourse about one man's realization that the opulent world is no longer accessible should deliver more substance than moments where he steals sugar packets and mints from restaurant establishments without the disregard of habitual shoplifter, but out of desperation."

Cannes Video Day 1: Behind Locker Number…

As a more economical way of previewing some of the films that are being featured daily at the festival, I've decided to come up with this quick featurette of a journalist retrieving the items in his press box. Today I received press kits for:

Breaking

Club Kid | Review

Interview: Jordan Firstman – Club Kid

I first took notice of Jordan Firstman through his...

Interview: Sandra Wollner – Everytime

One of the discoveries of this year's Cannes Film...

Wild Horse Nine | Review

They Shoot Agents, Don’t They?: McDonagh Morosely Reflects a...

Interview: Stéphane Brizé – A Good Little Soldier

From The Measure of a Man and At War...
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