Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Oscars 2010 – Art Direction: Avatar Wins One for the Blue Guys

Money well spent, means most technical awards will go the Avatar way, but I'm still wondering if The Hurt Locker has a shot at the Best Sound category?

Oscars 2010 – Best Supporting Actress: Mo’st Deserving Win

I caught Precious at the Racquet Club theater in Park City. I'm pretty sure everyone in that audience had the same impression I did - Mo’Nique's character is so ugly, and the performance was so raw that it would easily spread its wings beyond the indie fest - it had gold dust sweat stains spilling out of her pores.

Oscars 2010 – Writing (Adapted Screenplay): Spirit and Oscar for Geoffrey Fletcher

I was so sure that this was Up in the Air's win, but this crazy category also included a dark horse picture in my books with first-timer Geoffrey Fletcher and his reaction at winning pretty much tells me that this was far from being in the bag.

Oscars 2010 – Makeup: Star Trek klingons to Oscar

I thought they did some great work on aging Toni Servillo's character in this mysterious nomination for Il Divo, but the Academy want to promote the blockbuster film in some fashion. Trekkies all over are high-fiving one another.

Oscars 2010 – Short Film (Animated): Logorama Plasters Itself with Oscar Logo

Caught Logorama at Sundance and when I heard the noms I thought there is no way that this could win - the expletive language is simply too harsh for sensitive ears. Wallace & Gromit felt like an accomplished, polished production - but Logorama gets great grades for originality.

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