Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

DVD Review: Journey to the End of the Night

Journey to the End of the Night is a pulsating, darkly original thriller that could easily draw director Eric Eason the attention of the Hollywood Big Seven and start the young director down the path to commercial success.

Journey to the End of the Night | DVD Review

Journey to the End of the Night is a pulsating, darkly original thriller that could easily draw director Eric Eason the attention of the Hollywood Big Seven and start the young director down the path to commercial success.

Korine’s Mister Lonely prod pics

It’s been several sunrises since Gummo creator Harmony Korine’s last feature film, but all you fans out there (that includes Sly Stallone) can soak up the view – we’ve got a couple of production pics for Mister Lonely.

Oscar: Best Director

Ask me which film deserves best picture this year and I’ll say that my first and second picks are not on the ballot. Ask me if Marty deserves an Oscar and I’ll respond yes, for Taxi Driver and Raging Bull. Ask me if I’d split the vote like how the Academy picked Best Picture and Best Director in last year’s vote and I’d say it should have occurred again this year. The Departed is the strongest feature among the five, but Iñárritu continues to impress us with his cinematic mind and hand. High five for Marty and Alejandro.

Oscar: Best Actor

I think that Last King of Scotland’s cinematography did a great job at framing the performance and no matter how much I like Whitaker’s body of work and acting skills, this so belonged to Ryan Gosling’ brilliant take.

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