Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Once: Official Trailer

Fox Searchlight Pictures has provided us with the official trailer for Once. Written and directed by John Carney, the musical drama romance featuring Glen...

Corbijn’s Control to open Director’s Fortnight

While many of my predictions have gone astray for what was going to be showcased at this year’s Cannes – one selection and section that I was bang on was the Ian Curtis biopic

Stiles chooses semi-autobio route to Plath

Like Gwyneth Paltrow before her, Julia Stiles is looking to fill the shoes of the the novelist and American poet Sylvia Plath. Plum and Stiles...

Interview: Charles Gervais

Words like ‘charismatic’, ‘persuasive’ and ‘influential’ belong to a set of adjectives that carry both a positive and negative connotation when describing the current leader of the Bolivarian Revolution in Venezuela. Many people exhort a great deal of time demonizing and/or idolatrizing the man who once tried to swindle his way into presidency.

1st Look: Triad Election One-sheet

Getting a NYC release this weekend is Hong Kong director Johnnie To’s Triad Election. The Film Forum in NYC are doubling up, also showing...

Breaking

La bola negra | Review

The Play’s the Thing: Ambrossi & Calvo Connect the...

A Long Winter | 2026 London BFI Film Festival Review

A Gentle Thaw: Haigh’s Measured Drama is Glacial but...

Animol | 2026 London BFI Film Festival Review

Mismanaged Masculinity: Walters’ Gritty Debut Lacks Impactful Style Over...

Artificial | 2026 London BFI Film Festival Review

The End of The World as we Know it:...
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