Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Magnolia is first to go ‘Crazy’

Magnolia Pictures were first ones out of the gate at the Sundance film festival – picking up the North American theatrical rights to a documentary film. Magnolia made some good coin with the Enron film a couple of years back.

Former publicity head Dan Klores’ doc is about the troubling true story of an obsessive relationship between a married man and a beautiful, single 20-year-old woman that started in 1957 and continues. Pugach, a lawyer and playboy in the 1950's, courted Riss, but she eventually spurned him. Pugach then hired a man to throw acid in Riss' face. Riss was blinded in the attack. Pugach served time in prison for the incident, but in an odd twist, Riss married him after he got out of prison, and the couple has remained wed for decades. Their story has been a source of intrigue for New York tabloids on and off over the years. This is Klores’ third film and also happens to be the third Sundance shpwcase for the director – his previous entires were "Ring of Fire" and "The Boys of 2nd Street Park".

Greetings from Park City!

Welcome folks to IONCINEMA.com’s annual coverage (only our 2nd edition) of the Sundance film festival - this year my luggage includes an extra scarf...

Review: An American Crime

"...might thankfully avoid the graphic exploitative nature of the crimes committed by one Gertrude Baniszewski and co. onto one Miss Sylvia Likens, but mysteriously, not many liberties are taken in penetrating the psychosis of these characters."

An American Crime | Review

Crime & Punishment

Aronofsky stretches muscles for ‘Swan’

Despite lackluster box office results for his ambitious The Fountain, Universal Pictures are looking to team up with Darren Aronofsky on a feature that tugs at the world of ballet – and it is save to say that this won’t come close to Altman’s The Company.

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