Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Blanchett Hungry for Directing Gig; Set to Adapt “The Dinner”

If Woody Allen can do it, perhaps so can Cate Blanchett as well. With an acting that has spanned over two decades, and working...

First Look: Stills From Jim Mickle’s We Are What We Are

It contains a thicker premise with perhaps a more "fleshed" out backstory than the original on which it is based on (Jorge Michel Grau's...

Punk is not Dead; Magnolia Adds Moodysson’s “We are the Best!” to Next Year’s Playlist

Our Nicholas Bell consider it among his top 5 best at TIFF this year and both Variety (will thrill to this sweet, spirited return...

Tobias Lindholm Fights “The War” in Afghanistan

Less than 24 hours after his oft-collaborator Thomas Vinterberg landed his next directing gig, Screen Daily reports that Tobias Lindholm will begin lensing The War...

IFC Films Not Shy About Liza Johnson’s “Hateship Loveship”

It's panning out to be a significantly different type of experience with regards to filmmaker Liza Johnson's sophomore film. After stumbling out with her debut...

Breaking

Mission: Impossible – The Final Reckoning | Review

Tom Cruise Can’t Stunt His Way Out Of A...

Sound of Falling | 2025 Cannes Film Festival Review

Women on the Verge of a Nervous Breakdown: Schilinksi...

L’intérêt d’Adam | 2025 Cannes Film Festival Review

No Bandaid Solutions: Wandel’s Suffocating Drama Explores Collective Collateral...

Enzo | 2025 Cannes Film Festival Review

Call Me By Your Pain: Campillo Gently Guides Cantet’s...
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