Eric Lavallée

Brit Daniel Mulloy is an award-winning short filmmaker (over 80 fest awards folks) who belongs to both the extended Sundance filmmaking family and a celluloid loving family of his own -- we've featured his sister Lucy and her debut film, Una Noche which is headed off to Berlin next month. We've been keeping tabs on the helmer since 2006's "Antonio’s Breakfast," and it was last year where I got to speak to Mulloy about what should be the last of a string of shorts, before he embarks on the feature filmmaking portion of his career.

Gerardo Naranjo's savage, bullet riddled, all-encompassing torrid thriller featuring a full scale border-war demonstrates the prowess of an auteur filmmaker who up until 2011 was labeled as an art-house rebel with the low budget experimental "Drama/Mex," and French New Wave influenced Voy a explotar. In comparison with these previous entries, Miss Bala counts as a monumental shift way in aesthetic, shape and form. With a brilliantly choreographed outline, Naranjo borrows from fact, takes a piercing/critical stance and depicts a society that is held hostage via a symbolic lead figure, who at times emblematically represents the "route" nature of the drug trade.

Being a fan of the filmmaker, the principle actor and several key indie filmmaking members behind the scenes, we're proud to have your first look at the festival one sheet poster for For Ellen - the U.S. Dramatic Competition feature film from So Yong Kim. In the one sheet designed by Gregory Homs (who designed one-sheets for A Room with a View, Home Of The Brave), the spatial dimensions in the shot expound on the central characters' solace (Paul Dano's character of Joby appears to be torn by his past, but his forthcoming future as well)...

Incrementally perfecting his stylistic and narrative approach, in Japon and Battle in Heaven, Carlos Reygadas examined our will to live, defined how compassion and sympathy can sustain itself in dire trying moments, and he painfully, unflinchingly reminded us that there is nothing romantic about cruelty found in nature (violence brought about by humans). In his third feature, he examined such themes under the weight of the world or the gods above -- in my books the cinematic miracle known as Silent Light defies classification as it reaches far beyond the film patronage experience. Working with DP Alexis Zabé, with Post Tenebras Lux (literal translation, Light After Darkness), we should expect strong imagery, a deeply personal journey and a composition that the filmmaker described as “an expressionist painting where you try to express what you're feeling through the painting rather than depict what something looks like."

Top 100 Most Anticipated Films of 2013: # XX Insert title Director: INSERT Writer(s): INSERT Producer(s): INSERT U.S. Distributor: Rights Available Cast: INSERT () Intro: List Worthy Reasons times...