Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

25 Alternative 2011 TIFF Picks: Xu Haofeng’s The Sword Identity

Multidisciplinarian Xu Haofeng is not only a newbie filmmaker but happens to be a novelist, Taoist scholar, martial-arts connoisseur and co-writer for Wong Kar-wai’s The Grand Master. The word on this Venice Film Festival invited title is that it takes the genre into a completely different realm - we Haofeng calling this “inner martial arts“ presented visually and aurally. Count me in!

25 Alternative 2011 TIFF Picks: Lou Ye’s Love & Bruises

Can't say I consider myself a fan of Lou Ye's body of work, so when word first surfaced that A Prophet's Tahar Rahim was joining the banned Chinese filmmaker for a Last Tango-like drama that was sexually and violently fierce, my thoughts were indeed I'm back in the Ye camp. I'd normally be tempted to make a last minute switcheroo as the reactions from Venice have been mostly negative --- but the performances appear to be the film's consolation prize.

25 Alternative 2011 TIFF Picks: Julia Loktev’s The Loneliest Planet

Perhaps this year's contempo version of Meek's Cutoff because of the navigation of male-female rapport in the tricky surroundings of the vast wilderness, if it weren't for Gael García Bernal signing up for the lead, perhaps Julia Loktev would still be trying to finance the film --- this says a lot about the quality of the project and perhaps the observational approach to the film with much of the minimalism we found in her debut effort - Day Night Day Night. Recently premiered in Locarno with a glowing review from both Variety and IndieWIRE, I'm decidedly hopeful about the prospects.

25 Alternative 2011 TIFF Picks: Shinya Tsukamoto’s Kotoko

Can't say that I'm an unconditional fan of this cult Japanese filmmaker, but if I had to choose a side-dish of mayhem during the fest I'd go with this number which just like the Testuo film before it, is also en route to Venice. A mentor to several filmmakers, in a way this mimics that of Aronofsky's Black Swan - female protag is powerless unless performing. Shinya Tsukamoto employees Cocco - a non-actress professional singer for the gig. Should be a bloodcurling highlight outside of the Midnight Madness section.

25 Alternative 2011 TIFF Picks: Pen-ek Ratanaruang’s Headshot

I've been keeping tabs on Ratanaruang oeuvre since 99's 6ixtynin9 and while his most recent work (2007's Ploy and 2009's Nymph) only wetted my appetite, I've got a feeling that Toronto programmers will serve a full plate with this number shot from the perspective of the film's lead. With dp Chankit Chamnivikaipong once again onboard, we can at least expect this to visually deliver.

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