Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Key Players in the 2012 Cannes Film Market: Filmnation Ent.

If you think Glen Basner's Filmnation Ent. had a stellar year last year, 2012 is the cherry on the sundae with John Hillcoat and...

Key Players in the 2012 Cannes Film Market: Films Boutique

The German sales company based out of Berlin nabbed a pair of spots in this year's Critics' Week for David Lambert's Hors Les Murs...

Key Players in the 2012 Cannes Film Market: Elle Driver

The all women French sales agent company based out of Paris oddly has 2/3rds of the New Wave Indian films featured on the Croisette...

Key Players in the 2012 Cannes Film Market: Celluloid Dreams

Outside of the highly anticipated Rust & Bone from helmer Jacques Audiard, Celluloid Dreams is much more immersed in the market aspect of Cannes...

Inside Cannes 2012: A Top 10 Survivor’s Guide

By no means do I consider myself a seasoned pro when it comes to the Cannes Film Festival, but going into my sixth edition,...

Breaking

2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs...
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