Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Key Players in the 2012 Cannes Film Market: Memento Films Int.

We Laurent Cantet's Foxfire pegged for TIFF, Jim Mickle's We Are What We Are slotted for Sundance 2013 and Under the Rainbow being an...

Key Players in the 2012 Cannes Film Market: The Match Factory

Experts in auteur cinema, German sales company The Match Factory have quite the sampling this year with names such as Thai Joe (Mekong Hotel...

Key Players in the 2012 Cannes Film Market: Kinology

This year the Grégoire Melin's Kinology can do no wrong - they nabbed the best real-estate on the Croisette and reminded us that Harmony Korine's...

Key Players in the 2012 Cannes Film Market: Inferno Ent.

Sales agent and Prod co. Inferno Ent.'s Jim Seibel and Bill Johnson must totally be stoked at finding one of their own in the...

Key Players in the 2012 Cannes Film Market: Hanway Films

They might only have a trio of Out of Competition items in Bernardo Bertolucci's Me and You, Laurent Bouzereau's Roman Polanski: A Film Memoir,...

Breaking

La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.
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