Eric Lavallée

Currently in the "Woody Allen phase" of his career (unlike Woody, he left his homeland for more than pure economics) Abbas Kiarostami delivered in his third decade of work, an invigorating, intellectually stimulating piece of cinema with another career high with in Certified Copy. What I'm most curious about is how the kindness, civility and humanity in a post Tsunami Japan might be further illuminated/embedded in this work.

Now that devoted year of Martha Marcy May Marlene is complete, 2012 will see Borderline focus on what we expect will be an equally and exquisitely jarring sophomore follow up to Campos distinguished debut, Afterschool. The versatile Brady Corbet takes on the ballsy lead part, the excellent Daniel Bensi & Saunder Jurriaans offer the score -- described as a neonoir thriller, this soul searching in a part of Paris that is probably not mentioned in your Let's Go Guidebook will be among the most talked about films showing up in Park City.

Thank god we don't have to wait twelve years between films. Derek Cianfrance's second film was my top pick of 2010. After his critically lauded sophomore film tomahawk chopped critics from Sundance to Cannes to TIFF, Blue Valentine producers wasted no time in backing his next project: a drama about family and motorcycles? It features Ryan Gosling (his career best was with Cianfrance) and its got tech folks such as Cinematographer Sean Bobbitt (Shame) and Production Designer specialist Inbal Weinberg.

The naughts were good to us with Jacques Audiard - he handed us back to back to back cinematic gems in Sur mes lèvres (2001), The Beat That My Heart Skipped (2005) and Special Jury Prize winning A Prophet (2009). Audiard is arguably among the best French filmmakers in the biz, so how will he fare when he dabbles a bit more in CGI and with a spiked production budget north of 20 million? And will Oscar-winning lead actress in Cotillard knock it out of the park like Emmanuelle Devos did in Sur mes lèvres? We don't expect him to compromise on his trademark marriage of style and suspense.

Expecting this docu essay to be reminiscent of such canvases as Koyaanisqatsi, Microcosmos, Powaqqatsi and Baraka, we expect this to not only reveal some of the larger in scope ideas Malick has been toying with for Tree of Life, and we'll be pleasantly surprised if Voyage comes across as more than just a companion piece. Employing several formats (including IMAX) this features the work from renowned natural history photographer Peter Parks and "Planet Earth" cinematographer Paul Atkins. Plus we've taken a liking to Pitt's narration voice in PBS' e² series.