Eric Lavallée

Good news on the Scandi film front as Joachim Trier's Louder than Bombs (an English language film to be shot in the U.S) appears to have gained some traction as Cineuropa confirms that Sigve Endresen's prod co. Motlys AS will be working alongside Albert Berger and Ron Yerxa's Bona Fide Productions with a fall start date being eyed.

Among the rare times where they pick up a film before completion, Sony Pictures Classics have lassoed the North American, Latin American and Eastern European rights to Jacques Audiard's Rust & Bone (Un goût de rouille et d’os), hence continuing their partnership with the French filmmaker after having distributed his last pic, A Prophet.

Coming Soon!

Brit Daniel Mulloy is an award-winning short filmmaker (over 80 fest awards folks) who belongs to both the extended Sundance filmmaking family and a celluloid loving family of his own -- we've featured his sister Lucy and her debut film, Una Noche which is headed off to Berlin next month. We've been keeping tabs on the helmer since 2006's "Antonio’s Breakfast," and it was last year where I got to speak to Mulloy about what should be the last of a string of shorts, before he embarks on the feature filmmaking portion of his career.

Gerardo Naranjo's savage, bullet riddled, all-encompassing torrid thriller featuring a full scale border-war demonstrates the prowess of an auteur filmmaker who up until 2011 was labeled as an art-house rebel with the low budget experimental "Drama/Mex," and French New Wave influenced Voy a explotar. In comparison with these previous entries, Miss Bala counts as a monumental shift way in aesthetic, shape and form. With a brilliantly choreographed outline, Naranjo borrows from fact, takes a piercing/critical stance and depicts a society that is held hostage via a symbolic lead figure, who at times emblematically represents the "route" nature of the drug trade.