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2012 Cannes Film Festival Predictions: Antonio Campos’ Simon Killer

Gist: The antithesis of Woody Allen’s postcard image, this plants us firmly in off the tourist map areas of the City of Lights (we also get landmarks and skylines, but Antonio Campos dresses them differently) with enfant terrible Brady Corbet (Melancholia, Funny Games) playing the film’s amoral core character, loose cannon type of character that either lost his way seasons or decades back and fetches some empathy from the auds, that is until he meets up with a prostitute (a convincing Mati Diop) on his path towards redemption or… deeper dodo.

Prediction: I remember thinking,”what’s a Cannes Film Fest/Euro-centric film doing in Sundance?” through-out my first sitting Simon Killer. Kudos to Redford’s gang for landing the premiere, but Cannes will be looking to land the international premiere – essentially grabbing the best thing coming out of Sundance. We think this should be making an appearance in the Un Certain Regard section – the exact lieu where Campos got his start with Afterschool, and where the Borderline Films produced, Martha Marcy May Marlene was shown.

 

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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