Austria’s Foreign Oscar nom: The Counterfeiters

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The Counterfeiters is Austria's entry in the foreign-language Oscar race this year and Stefan Ruzowitzky's World War II drama has a good chance at making it in the final 5 selections with Sony Pictures Classics backing the picture.

Adapted from the Adolf Burger memoirs, Des Teufels Werkstatt (The Devil’s Workshop), Salomon “Sally” Sorowitsch (Karl Markovics) is the king of counterfeiters. He lives a mischievous life of cards, booze, and women in Berlin during the Nazi-era. Suddenly his luck runs dry when arrested by Superintendent Friedrich Herzog (Devid Striesow). Immediately thrown into the Mauthausen concentration camp, Salomon exhibits exceptional skills there and is soon transferred to the upgraded camp of Sachsenhausen. Upon his arrival, he once again comes face to face with Herzog, who is there on a secret mission. Hand-picked for his unique skill, Salomon and a group of professionals are forced to produce fake foreign currency under the program Operation Berhard. The team, which also includes detainee Adolf Burger (August Diehl), is given luxury barracks for their assistance. But while Salomon attempts to weaken the economy of Germany’s allied opponents, Adolf refuses to use his skills for Nazi profit and would like to do something to stop Operation Bernhard's aid to the war effort. Faced with a moral dilemma, Salomon must decide whether his actions, which could prolong the war and risk the lives of fellow prisoners, are ultimately the right ones.

 

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

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