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Cannes 2009 Day 8: Tree Stumped by Ratanaruang’s Nymph

While Ratanaruang’s minimalist essay on being emotionally and sexually frustrated touches upon the theme with few visual strokes, this love triangle between two humans and a tree is so deeply rooted in a non-discourse that whatever intrigue that this film elicits is purely incidentally and accidently.

Dedicated to the memory of Fortissmo Film’s Wouter Barendrecht, Pen-Ek Ratanaruang‘s Nymph begins with an all encompassing continous take: a shot that floats high above the branches and low to the ground below. The 10-plus minute piece describes how when venturing into a wooded forrest, it is nature and not humans calling the shots. While Ratanaruang’s minimalist essay on being emotionally and sexually frustrated touches upon the theme with few visual strokes, this love triangle between two humans and a tree is so deeply rooted in a non-discourse that whatever intrigue that this film elicits is purely incidentally and accidently. Full length review coming soon.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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