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Sundance Journal 2009 Day 5: Cary Fukunaga’s Sin Nombre

Sin Nombre is pins and needles good with a strong package of well-written characters driving the antagonist and protagonist forces to several deadly ends.

I forget the name of the programming director who presented the film, but the words (and I might be paraphrasing here) “seasoned pro” certainly do apply to Cary Joji Fukunaga and his feature length thriller debut. Totally immersing the viewer in harrowing tale that Central Americans who make the journey north to the land of Starbucks and Wallmart will immediately identify with,
Sin Nombre is pins and needles good with a strong package of well-written characters driving the antagonist and protagonist forces to several deadly ends.

Sin Nombre Cary Fukunaga Sundance

I’d seen a television documentary program on the similar plight of a Honduras immigrant having to survive that crazy trek north – fighting off not necessarily the gangs who control sections of the different plains, but on the dangers of embarking on trains that don’t come with assigned seating. Funkunaga delivers a true adrenaline rush that I equate to the vivacity found in Amores Perros. I’m hoping to get into contact with the filmmaker before the film’s release this coming March (via Focus Features).

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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