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Sundance Journal 2009 Day 6: John Hindman’s Arlen Faber

I could feel that some parts of the crowd at the Racquet Club were totally into John Hindman’s light-hearted, rom com, but I thought it was far too sweet, too fluffy and tried too hard.

I’m fairly certain of who Arlen Faber is intended for and unfortunately I’m not part of that demo. I could feel that some parts of the crowd at the Racquet Club were totally into John Hindman‘s (pictured below) light-hearted, rom com, but I thought it was far too sweet, too fluffy and tried too hard. With a tone that mainstream audiences will appreciate, the premise sees an author who is the leader of the mental health book craze, but for some reason success doesn’t equate to long term happiness. Jeff Daniels flexes his comedic muscles, but like the character is plagued with problems, where as the supporting crew of young talent are throwaway characters (Kate Dennings, Olivia Thirlby) that fail to contribute anything that might be considered meaningful to the storyline. Prior to the screening, Hindman told me that the original title (The Dreams of Romans) was dumped because one of the final scenes was cut from the film.

Arlen Faber John Hindman Sundance

 

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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