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Sundance Journal: Day 10
Last Call
I caught more than 30 films, but I’ve managed to miss most of this year’s winners. At least I’ll have films to look forward to seeing later this year. Here’s the remaining batch of reviews followd by the complete list of this year’s winners.
Richard Glatzer and Wash Westmoreland’s Quinceañera
Read review here.
Dito Montiel’s A Guide to Recognizing your Saints
Read review here.
Neil Marshall’s The Descent
Read review here.
The Grand Jury Prize: Documentary was given to GOD GREW TIRED OF US, directed by Christopher Quinn. In the late 1980’s, 27,000 Sudanese lost boys marched barefoot over thousands of miles of barren desert, seeking safe haven from the brutal civil war in their homeland. The film chronicles the experiences of three of these boys who seek refuge in the U.S. as they work to adjust to a strange new world.
The Grand Jury Prize: Dramatic was presented to QUINCEAÑERA, written and directed by Wash Westmoreland and Richard Glatzer. Disaffected Latino teenagers come of age in a gentrifying community in the Echo Park district of Los Angeles. Westmoreland and Glatzer have molded their mostly unknown ensemble into a tender portrait of a changing world and in doing so, have illuminated modern realities of family and hope.
The World Cinema Jury Prize: Documentary was given to IN THE PIT (Mexico), written and directed by Juan Carlos Rulfo. According to Mexican legend, whenever a bridge is built the devil asks for one
soul, in exchange for keeping the bridge standing. This film chronicles the daily lives of the workers
building a second deck to Mexico City’s Periferico freeway – their hopes, dreams and struggle for survival.
The World Cinema Jury Prize: Dramatic was presented to 13 TZAMETI (France), written and directed by Géla Babluani. When the protagonist decides to follow instructions intended for someone else, he finds himself at the brink of human decency, a place whose only inhabitants are the underbelly of society. In his feature debut, Babluani expertly combines story and style.
The Audience Award: Documentary was presented to GOD GREW TIRED OF US , a film directed by Christopher Quinn. The Audience Award: Dramatic winner is QUINCEAÑERA, written and directed by Wash Westmoreland and Richard Glatzer. The Audience Awards are sponsored by Volkswagen of America, and are given to a documentary and a dramatic film screening in competition, as voted by Film Festival audiences.
The World Cinema Audience Award: Documentary
was presented to DE NADIE (Mexico), directed by Tin Dirdamal. Maria, a Central American immigrant who is forced to leave her family in search of a better life embarks on the dangerous 1300-mile journey through Mexico to the U.S. Without taking a political stance, the film provides a deeper understanding of the United States’ border crisis and intolerance in Mexican society.
The World Cinema Audience Award: Dramatic was presented to NO. 2 (New Zealand), written and directed by Toa Fraser. Nanna Maria’s family has forgotten how to party. She’s going to change all that, and make them come alive with the heat and passion of the South Pacific.
The World Cinema Audience Awards are given to both an international documentary and dramatic film in the World Cinema Competition as voted by Film Festival audiences.
The 32 American films in the Independent Film Competition are also eligible for a range of other awards.
The Directing Award recognizes excellence in directing for American documentary and dramatic features in the Independent Film Competition. The
Documentary Directing Award went to James Longley, director of IRAQ IN FRAGMENTS. The Dramatic Directing Award was presented to Dito Montiel for A GUIDE TO RECOGNIZING YOUR SAINTS.
The Excellence in Cinematography Award honors exceptional photography in both a dramatic and documentary film in the Independent Film Competition. James Longley for IRAQ IN FRAGMENTS from the Documentary Competition and Tom Richmond for RIGHT AT YOUR DOOR from the Dramatic Competition received the 2006 Cinematography Awards.
New to the Sundance Film Festival this year is an award recognizing excellence in Documentary Film Editing. Films in the Documentary Competition are eligible for this award. The 2006 prize was given to Billy McMillin, Fiona Otway and James Longley, editors of IRAQ IN FRAGMENTS.
The Dramatic Jury presents the Waldo Salt Screenwriting Award for outstanding achievement in writing. The 2006 prize was given to Hilary Brougher for STEPHANIE DALEY.
The Documentary Jury bestowed a Special Jury Prize for AMERICAN BLACKOUT, directed by Ian Inaba and TV JUNKIE, directed by Michael Cain and Matt Radecki.
The Dramatic Jury presented Special Jury Prizes for Best Ensemble Performance for A GUIDE TO RECOGNIZING YOUR SAINTS, directed by Dito Montiel and starring Robert Downey, Jr., Shia La Boeuf, Rosario Dawson, Chazz Palminteri, Dianne Wiest and Channing Tatum. The Dramatic Jury also awarded Special Jury Prizes for Independent Vision to IN BETWEEN DAYS directed by So Yong Kim and written by So Yong Kim and Bradley Rust Gray.
The World Cinema Documentary Jury presented Special Jury Prizes to INTO GREAT SILENCE, written and directed by Philip Groening and DEAR PYONGYANG, written and directed by Yonghi Yang.
The World Cinema Dramatic Jury presented a Special Jury Prize to EVE & THE FIRE HORSE, written and directed by Julia Kwan.
The Shorts Jury presented the Jury Prize in Short Filmmaking in a tie to BUGCRUSH, directed by Carter Smith and to THE WRAITH OF COBBLE HILL, directed by Adam Parrish King. The Jury Prize in International Short Filmmaking was given to THE NATURAL ROUTE (Spain), directed by Alex Pastor. The Shorts Jury awarded Honorable Mentions in Short Filmmaking to BEFORE DAWN (Hungary), directed by Bálint Kenyeres; PREACHER WITH AN UNKNOWN GOD, directed by Rob VanAlkemade; and UNDRESSING MY MOTHER (Ireland), directed by Ken Wardrop.
