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TIFF 2009 Day 6: Todd Solondz’s Life During Wartime

Todd Solondz’ follow up to Happiness won the best screenplay award in Venice – for very specific reasons, the dialogue sharply sticks it to the batch of unlike-able characters and Allison Janney steals the show when comparing her character to the pantheon of scary mothers who mean well.

I failed to re-watch the 1998 film prior to seeing this one, but just like a coat that got lost in a closest and hasn’t been worn in some time, this pic has the same form – its just not as perverted as the original.
Life During Wartime‘s first “re-introduction” sequences and this sense of familiarity that comes along with it can bring along a sense of glee and while the transfer from one actor the another is a great device, the appeal slowly dissipates until we are left with very little. Todd Solondz’ follow up to Happiness won the best screenplay award in Venice – for very specific reasons, the dialogue sharply sticks it to the batch of unlike-able characters and Allison Janney steals the show when comparing her character to the pantheon of scary mothers who mean well. I enjoyed the pic and this is his best since 98′, but I nonetheless found it to be lacking in personality not personalities. Full review coming soon.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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