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Weerasethakul Inspired by ‘Past Lives’

Screen Daily reports that the Thai filmmaker is preparing the tale about a man who is dying and whose long-lost son re-appears as a “monkey ghost”. Weerasethakul will start lensing Uncle Boonmee: A Man Who Can Recall His Past Lives sometime in October when precipitation levels are at a high.

If you’re hoping to see a new film from Apichatpong Weerasethakul in 2009, you’ll have to do without…but for folks living in and passing through Munich later this month and in Liverpool in September might get a preview of the basis for his next project.

Screen Daily reports that the Thai filmmaker is preparing the tale about a man who is dying and whose long-lost son re-appears as a “monkey ghost”. Weerasethakul will start lensing Uncle Boonmee: A Man Who Can Recall His Past Lives sometime in October when precipitation levels are at a high. The Match Factory who handle several Cannes titles each year will rep the title.

The pic will be produced by Illuminations Films, while his multi-platform project “Primitive”, shows the origins of Uncle Boonmee — the research trip the filmmaker took to Nabua, a village in north-east Thailand. While there, Weerasethakul met farmers who had lived through periods of intense oppression and violence when the Thai Government tried to suppress the spread of communism.
The installation focuses on the teenagers of Nabua and their relationship with their past.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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